#bcon13 : 25,26,27 oct 2013 Int. #Blender3D Conference also in #SecondLife (#SL)

http://wp.me/p9f2i-m6

Just like in 2009 , 2010, 2011 and 2012 the annual international Blender Conference 2013, a 3D software Developers & 3-D Artists Event at De Balie in Amsterdam, The Netherlands,  is streamed live online on the web and screened 3D interactive at the Caledon Oxbridge University in the virtual world Second Life.

October 25-26-27, 2013

Blender is a free and open-source software program for 3D modeling, animation, and rendering. For graphic designs, movies,  games, 3D-printing and other visual arts. Also for importing 3-D objects into virtual worlds such as Second Life, OpenSim and CloudParty

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More details on live streams, chats and other social media interactivity in this collaborative EtherPad:

http://piratepad.nl/blender

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SL & Blender

 Second Life  introduced 3D mesh in 2011 . Some examples of people using Blender to import 3D creations into SL:

http://flickr.com/groups/secondlife3dmesh

Other Blender user images:

http://flickr.com/groups/772503@N23

http://flickr.com/groups/blender

http://Meta.Live.Nu

12,13,14 oct 2012 Int. #Blender3D Conference also in #SecondLife (#SL)

 /Please ADD or CORRECT wrong information! – Blogpost updated 2012.10.14 10:40 CEST — short link: http://wp.me/p9f2i-l7  http://Meta.Live.Nu

Just like in 2009 , 2010, and 2011 the annual international Blender Conference 2012, a 3D software Developers & 3-D Artists Event at De Balie Theatre in Amsterdam, The Netherlands,  is streamed live online on the web and screened 3D interactive at the Caledon Oxbridge University in the virtual world Second Life.

October 12-13-14, 2012

Watching the 2012 Blender Conference live on the big screen at the Caledon Oxbridge University in SL. With the Youtube – Google+ Hangout live stream on a virtual laptop. – Snapshot by Pyewacket Kazyanenko.

Blender is a free and open-source software program for 3D modeling, animation, and rendering. For graphic designs, movies,  games and other visual arts. Also for importing 3-D objects into virtual worlds such as Second Life, OpenSim and CloudParty

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Conference info:

• http://blender.org/community/blender-conferenceSchedule:

• http://blender.org/community/blender-conference/schedule
• http://blender.org/bf/schedule.html

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Attend 3D online at the Caledon Oxbridge University  in SL:

• Viewer 1: http://slurl.com/secondlife/Caledon%20Oxbridge%20Village/188/144/22
• Viewer 2, 3:  http://maps.secondlife.com/secondlife/Caledon%20Oxbridge%20Village/188/144/22

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Live Streams: (De Balie main Theatre only)

• http://youtube.com/blenderfoundation Flash video via Google+ with archive
• http://debalie.nl/live/live_2011_q.jsp Quicktime video
• rtsp://darwin02.engagetv.com/debalie.sdp – H.264/Mpeg4 video (Open in Android phone or copy/paste in Quicktime, RealPlayer, VLC player or others)
• http://live.nu/1.pls – Mp3 audio
• http://live.nu/1.m3u – Mp3 audio
• http://icecast03.engagetv.com:8000/debalie – Mp3 audio (also for SL parcels)

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Video-on-Demand / Replay:

• Repeats on the live streams of earlier recorded video when there is no live feed.
• http://youtube.com/blenderfoundation (Higher quality video expected in a few weeks)

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IRC Chat Channels:
http://blender.org/community/chat

http://webchat.freenode.net – irc://irc.freenode.net

• #bconf12
• #blender
• #blenderchat

Twitter hashtags: #bconf12   –  #blender3d   – #b3d

Caledon Oxbridge University in SL – Blender Conference garden with a Blender logo-pool. 

SL & Blender

 Second Life  introduced 3D mesh in 2011 . Some examples of people using Blender to import 3D creations into SL:

http://flickr.com/groups/secondlife3dmesh

Other Blender user images:

http://flickr.com/groups/772503@N23

http://flickr.com/groups/blender

9 may: DFM Support Event in Amsterdam (NL) + Resonance sim (SL)

http://dfm.nu/info/news/

at: Zaal 100, Amsterdam (Location Info)
at: Resonance Concert Hall, Second Life (Location Info)

and ofcause on streams, beams, chat and webcams!

PROGRAM SCHEDULE

DFM Radio Television International 09-MAY 2009 BENEFIT PRESENTATION an evening of live music visual and spoken word performances in a benefit to support DFM’s independent international community of webcasting by artists worldwide… featuring Willem de Ridder, Hoppaselector, Yamna Conosphaera, Dread_Rat, Dubious brothers, TO3K, Tariquat, Eljo/mugezond, Caiman, Ruby Mattheus, OIMA, UB Radio Salon ZAAL 100 / AMSTERDAM, NL program begins 18.00 CEST with a meal & story 7 euro with live audio & video from locations around the world… DFM is an independent webcast station run by an international community of media artists involved with audio, video and new media. DFM has its roots in the DIY ethics of the 80s, in the networks of punks, activists, musicians and artists. DFM declared itself a station at the International Youth Media Festival (Amsterdam NL ’85). DFM manifested itself frequently on the free Radio 100 in Amsterdam. DFM became the first webradio in the Netherlands in 1996. Since January 2000 DFM streams 24/7. Program makers from several countries contribute to independent and creative productions. DFM contains traces from: Radio Got, Radio Rabotnik Televisie, Radio WHS, Radio 100 and Staalplaat. http://www.zaal100.nl/ http://www.dfm.nu/

PROGRAM SCHEDULE

ALL MARKED GREEN WILL BE ON STREAM

ZAAL 100 AMSTERDAM Time is in CEST (GMT+2)		RESONANCE SIM, SL Time is in SLT (GMT-9)
Hall	Room	Hall	Room
18.00-18.30 INTRO Welcome and greetings
18.30-19.15 HABOLOUHM TimeKnownToMankind	18.30-19.15 WILLEM DE RIDDER tells a story		09.30-10.15 HABOLOUHM TimeKnownToMankind
19.15-19.30 ANNOUNCES general
19.30-20.00 MATTHEUS Poetics, Prose & Politics	19.30-20.15 THE MAGISTERIUM Tariquat
20.00-20.15 THE MAGISTERIUM talks
20.15-20.45 BLACKBOARD JUNGLE Reggae/Dub	20.30-21.30 CAIMAN Non Western Music
20.45-21.00 ANNOUNCES Caiman in background
21.00-21.45 DUBIOUS BROTHERS Live Reggae Band
21.45-22.00 ANNOUNCES general
13.00-13.30 OIMA Remote Perfo (UK)	22.00-22.45 DECOY Electric & Experimental	13.00-13.30 OIMA Perfo
22.30-22.45 DECOY talks
22.45-23.30 DREAD RAT Birds Of A Feather	22.45-23.30 RADBOUD MENS Sonology		13.45-14.30 DREAD RAT Birds Of A Feather
23.30-23.50 INTERVIEWS To3k, Decoy, Habolouhm, Dread, Tariquat
23.50-00.10 RUBY Remote Perfo (NL)		14.50-15.10 RUBY Perfo
00.10-00.30 ODIOUS VERMIN Remote Perfo (US)		15.10-15.30 ODIOUS VERMIN Remote Perfo
00.30-01.00 NINAH & DAS BCO, UB Radio Salon		15.30-16.00 NINAH & DAS BCO, UB Radio Salon
01.00-02.00 ELJO (Mugezond) Hoppa Selector
			18:00-untill done AFTER PARTY Resonance Chill
Hall	Room	Hall	Room
ZAAL 100 AMSTERDAM		RESONANCE SIM, SL

TUNE IN OR SEE YOU THERE!

DONATE ONLINE!

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London Theatre Blog interview ‘Goodbye Dollar’ event

Andrew Eglinton, founder and editor of the widely-respected and profound London Theatre Blog held an interview with Joyce Timmerman (SL: Joyce Menjou) and Ze Moo. About Live Machinima Theatre, as part of the  ‘Club Goodbe Dollar’ event at De Balie (Amsterdam) & cyberspace in august 2008.  And they chatted about the future of crossing boundaries between arts and technology.

Please read the entire interview here:

Theatre In Second Life

http://LondonTheatreBlog.co.uk/theatre-in-second-life

[photo by Viola van Alphen]

More references:

Live Theater in Second Life

http://dusanwriter.com/index.php/2009/02/26/live-theater-in-second-life

http://twitter.com/malburns/statuses/1254010663

Teatro en SL

http://piensl.wordpress.com/2009/02/26/teatro-en-sl

“Orientation” by Nebulosus Severine and Arahan Claveau

http://amyfreelunch.wordpress.com/2008/10/06/orientation-by-nebulosus-severine-and-arahan-claveau

Why art in virtual worlds?

An very interesting essay by Patrick Lichty (aka Second Front member Man Michinaga in SL):

WHY ART IN VIRTUAL WORLDS? E-HAPPENINGS, RELATIONAL MILIEUX & “SECOND SCULPTURE”

In the 2000’s there is an emergence of New Media art in virtual worlds – 3D online spaces where people navigate online media using electronic personifications called “avatars”. These include MMORPGs (Massively Multi User Online Role-Playing Games) like World of Warcraft and Everquest 1, and MUVEs (Multi User Virtual Environments like There and Second Life 2. Though multi-user worlds have been around for years, the number of artists working consistently in concentrated numbers on specific platforms created a critical mass in which this art is being recognized by contemporary art curators and the mainstream art press

Read more: http://www.ciac.ca/magazine/dossier.htm