Posts Tagged ‘web 2.0
short link http://wp.me/p9f2i-kf
P R E S S R E L E A S E [updated 2011 06 14 04:00 CEST]
Avatars starring at Global Film Festival MMIF 2011
MaMachinima International Festival
June 17 / 18, 2011
Web live + LEA Theatre (SL™) + Club Karlsson, Amsterdam (NL)
‘MMIF 2011′ is the third edition of an annual film festival in 3D cyberspace with an interactive cinema screening in physical space (‘RL’). Audiences can follow some of the MMIF happenings live via the web.
The MMIF is a celebration of Machinima: films created in virtual worlds and video games. On 3D Internet platforms like Second Life® for instance, any kind of movie set can be built at very low cost. The MMIF aims to bring Machinima, a new cinematic art form, to a wider audience. Films by professional machinima producers and by those who are just starting out will be screened at MMIF 2011. Machinima directors and avatar actors from all over the world are present in real time at the virtual theatre in SL. These ‘Machinimatographers’ will present over fifty short films and discuss their work in front of a live global audience of viewers.
Audiences in Amsterdam can follow the MMIF event live, projected on a big screen in Club Karlsson at Keizersgracht, one of the most famous canals in Holland. Several participating machinimatographers will be present. Visitors can bring their own portable computers to interact with the show on the big screen. Free (wireless) internet and electricity is provided.
Free entrance at Club Karlsson, however tickets are required. Reservations must be made via http://MMIF.org . The amount of tickets at the door is very limited! Full = FULL!
This year MMIF collaborates with MetaMeets, a conference about 3D-internet and Virtual Worlds. MetaMeets 2011 will take place on the same dates and location as MMIF, but during day time.
The MMIF is a volunteer-run, non-profit collaboration of MaMachinima with Club Karlsson, MetaMeets, Meta.Live.Nu, PLANETART, AviewTV, Ystreams.TV, MetaMixTV, Gallery Fermate and many other volunteers. Special thanks to NIMk, De Balie and Bellissima TV. MMIF 2011 is financed by donations and gifts. Virtual land sponsored by Linden Lab®. MMIF is founded and directed by the Dutch film maker Chantal Harvey.
To view the MMIF 2011 full program, get latest news, get tickets or live online interaction please visit: http://MMIF.org
FRIDAY JUNE 17
MetaMeets:
13:00 – 19:00 – 3D-Internet Conference
MMIF:
20:00 CEST (= SL 11:00 am PDT): – DOORS OPEN
20:30 CEST (= SL 11:30 am PDT): – Workshop ‘Machinima for Dummies’
22:00 CEST (= SL 1:00 pm PDT): – Opening ceremony + 2 film blocks
01:00 CEST (= SL 4:00 pm PDT): – Ending
SATURDAY JUNE 18
MetaMeets:
13:00 – 19:00 – 3D-Internet Conference
MMIF:
20:00 CEST (= SL 11:00 am PDT): – DOORS OPEN
20:30 CEST (= SL 11:30 am PDT): – 3 film blocks
01:00 CEST (= SL 4:00 pm PDT): – Club Karlsson closes, MMIF continues interactive online
03:30 CEST (= SL 6:30 pm PDT): – Ending
PHYSICAL LOCATION:
Club Karlsson
Keizersgracht 264
1016 EV Amsterdam
The Netherlands
VIRTUAL LOCATION:
LEA Theatre, Second Life®
Teleport & live streams via http://MMIF.org
————————————-
PRESS CONTACT: Chantal Harvey info-@-mamachinima.eu
http://MetaMeets.com
First Annual Metameets Conference
Friday, May 22 – Sunday, May 24 2009
De Zwijger, Amsterdam (NL) + Virtual Holland (SL)
http://slurl.com/secondlife/Virtual%20Holland%20Business/166/66/22
MetaMeets09: A European conference addressing the present and future of user-created virtual worlds such as Second Life, Active Worlds, Open source Sim grids and more….
Follow MetaMeets LIVE:
http://MetaMeets.wordpress.com
http://flickr.com/groups/metameets
http://events.linkedin.com/MetaMeets-09/pub/42678
http://facebook.com/group.php?gid=54240928817
http://metameets.sixgroups.com
More details coming up…
Participants of the Video Vortex international Conference in Amsterdam visited the ‘DO NOT FEED’ installation, wich is part of the VideoVortex.2 exhibition in the Netherlands Media Art Insitute.In this photo (by video vortex) the cameraview of Eveline Schoonhoven is zoomed out over the virtual Damrak. At that moment there was an paintings and photography exhibion happening about Amsterdam in the seventies. This was organized by The CybertronicArts Group The Cybertronic Arts group
18-01-2008 &19-01-2008
Venue: PostCS 11, PostCS building – Oosterdokskade 3-5- 1011 AD Amsterdam, NL.
networkcultures.org/videovortex/about
In response to the increasing potential for video to become a significant form of personal media on the Internet, this conference examines the key issues that are emerging around the independent production and distribution of online video content. What are artists and activists responses to the popularity of ‘user-generated content’ websites? Is corporate backlash imminent?
After years of talk about digital conversions and crossmedia platforms we are now witnessing the merger of the Internet and television at a pace that no one predicted. For the baby boom generation, that currently forms the film and television establishment, the media organisations and conglomerates, this unfolds as a complete nightmare. Not only because of copyright issues but increasingly due to the shift of audience to vlogging and video-sharing websites as part of the development of a broader participatory culture.
The Video Vortex conference aims to contextualize these latest developments through presenting continuities and discontinuities in the artistic, activist and mainstream perspective of the last few decades. Unlike the way online video presents itself as the latest and greatest, there are long threads to be woven into the history of visual art, cinema and documentary production. The rise of the database as the dominant form of storing and accessing cultural artifacts has a rich tradition that still needs to be explored. The conference aims to raise the following questions:
How are people utilising the potential to independently produce and distribute independent video content on the Internet?
What are the alternatives to the proprietary standards currently being developed?
What are the commercial objectives that mass media is imposing on user-generated content and video-sharing databases?
What is the underlying economics of online video in the age of unlimited uploads?
How autonomous are vloggers within the broader domain of mass media?
How are cinema, television and video art being affected by the development of a ubiquitous online video practice?
What type of aesthetic and narrative issues does the database pose for online video practice?
The closing session on Saturday evening will explore the way VJs and media artists are accessing and using online archives. Under the banner of Video Slamming, this evening is all about the new ways of watching, using, and playing with moving images, such as scratching, sampling, mixing, (meta)tagging and recommending.
Meta.Live.Nu 
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